All your scores have a beautiful spacious sound. How do you handle the mastering process? RK-“I don’t- I just let my engineer Greg Townley get to work- he has an amazing ear. I realized that filmscoring can use a lot more than simply recording the orchestra well- really good record-style production has so much to contribute. That’s when it gets atmospheric and rich. I listen to Thomas Newman’s scores and the attention to detail in the production is gorgeous and breathtaking. That’s what I look to Greg for- an imaginative way of mixing for cinema”
••••A nice mention:
